Rencontre histoire et cité
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So, I will begin with you. Why did you come to the dance, why did you choose to learn this dance, when you were a kid? You know, I was born in Palestine, and we came to live in Ireland. My father got working with the United Nations, and then Suez Canal crisis went along, before you were born, so we lost our home again, we then came to England, Birmingham. There was a girl in ma class, in school, who invited me seeing her dance, I went, I started.
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Rencontre avec l'Histoire
Pétra: l'envoûtante cité de pierre nabatéenne
Besides the main exhibition, developed in collaboration with curator Lisanne Nadeau, in which the work of 40 artists are assembled, the biennial offers other exhibitions, satellite activities, conferences, a colloquium, happy hours with artists, master classes, creation workshops for families and youth—enough to give rise to exceptional meetings and the discovery of talent from here and elsewhere. The numerous tools and means of communication developed over the last two decades confront us with previously unheard-of interpersonal rapports. Electronic mediation marks our human relationships, simultaneously spurring us to question our self-image and the previously standard links that existed between the contemporary subject and his or her environment. Because our former means of communication sustained the idea of distance and territoriality, the Internet and the instantaneous transmission of information bring with them an unparalleled space-time upset in which concepts of solitude and exchange are profoundly reinvented. What, then, of our zones of affinity, of our attempts at closeness or dialogue? At the core of these new inter-subjective means, sometimes intimate, sometimes anonymous, even fictional, it is obvious that a tangible attainment of the other constitutes a hypothesis that is constantly put to the test.
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Rencontre, court-métrage et exposition
Milo Daniel S. Daniel Milo. The unusual but edifying encounter of Culture and Numbers.
Over the years, a vast body of literature has developed devoted to Canadian art and architecture. Until now that body of work has not been readily accessible to the researcher or scholar. This bibliography and reference guide identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to The work encompasses, from the sixteenth century onward, artists who have come to Canada as immigrants or visitors, native born Canadian artists, and Canadian artists who have lived and worked abroad.